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With the culture of electronic music and festivals becoming so popular, events are booking more acts to accommodate the fans. This plethora of artists can be very satisfying; it allows you to get a bite of each sonic dish and leaves you feeling accomplished to some degree. It’s like a giant buffet you can work your way down, scooping up what you want—but sometimes, that abundance of choices can leave you feeling a bit overwhelmed.

Often at festivals, there is a little voice in your head that whispers regret in low, mumbled tones and creates a feeling of anxiety. “You could have seen more, bro; you could have seen more.” It’s the voice of that little nasty mental virus we call Fear of Missing Out. You can almost envision an actual FOMO virus looking like that little foot fungus monster from the Lamisil commercial, or the Eats Everything creature. The smug little green bastard is just sitting on your shoulder, taunting you with insults of your festival shortcomings.

One way to overcome this anxiety of missing things is to downshift your festival approach and slow your roll. What you might consider doing is tracking down some DJs who are doing some longer sets.

The extended set used to be the norm in rave and club culture. DJs would expect to be on the decks for at least two hours; anything else was unacceptable. The art of DJing, or mixing, used to be its own thing before all DJs became producers and all producers became DJs.

Originally, a DJ’s job was to create a vibe for the dancefloor with different tempos and genres to build up the energy as the night progressed. You were with them, and they were with you, for the entire night and often into the morning. Today’s approach is usually DJs/artists playing a lot of their tracks live or in a short mix, so often it’s satisfying in some ways, but you usually know what you are going to get: the hits.

“The extended set used to be the norm… DJs would expect to be on the decks for at least 2 hours; anything else was unacceptable.”

A DJ doing a longer set becomes a storyteller, in many regards. Good ones can look out onto a dancefloor and pick up on how the crowd is feeling. They can then craft that into a series of musical selections that feels right. It starts to connect with you in a way that you never thought possible.

A longer set allows you to enter into an almost meditative state; you begin to settle in and concentrate on being present with the music that is playing, instead of anticipating the next set you are going to bolt off to see. I know this all sounds a lot like a yoga class, but this approach often leaves FOMO far behind.

There is also just the pure satisfaction of hearing a master selector put together tunes in a way that can blow your mind. A great mix is an art in and of itself. It’s not just a transition from song to song; it’s creating something completely new inside that joining of two records.

So, next time you get the chance, try staying on the floor a little while longer. Listen to the music blossom, and you will reap the rewards in a way you might not have thought possible. Jumping from DJ set to DJ set can be a blast, too; it’s all about mixing it up a bit and experimenting with ways to be present at these fantastic festivals that are almost always over too quickly.

Here are some of our favorite extended DJ sets:

Kaskade Redux Set

Bonobo

Chus & Ceballos

John Talabot

Bryan Kearney

Till Von Sein

Âme

Carl Cox

Odyssey: The Art of the DJ

A cool little mini-doc that’s also worth watching is Odyssey: The Art of the DJ. It features legendary guys like Roger S., Chus & Ceballos, Andy C., Mark Knight, and others talking about the joys of playing (and listening to) longer DJ sets.


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